Brand and company films
The video that introduces who you are, works on the site and in proposals, and keeps working for years. Usually the first video a company should own.
Script, shoot, edit, motion and color, handled by one team with its own equipment. For clients outside our region, post-production, editing and motion graphics work entirely remotely on footage you already have.

What we produce
The video that introduces who you are, works on the site and in proposals, and keeps working for years. Usually the first video a company should own.
Campaign spots built to stop the scroll in the first three seconds, delivered in the cuts each platform needs rather than one file stretched to fit all of them.
Vertical video for Reels, TikTok and Shorts, planned so a single production day yields months of posts instead of one asset.
Drone and location work for facilities, real estate and events, where scale is the story and a ground-level camera cannot tell it.
Editing, titles, animated explainers and subtitles, on your footage or ours. This is the part that works entirely remotely, with review links and versioned cuts.
Color grading, audio cleanup and delivery in the formats and aspect ratios each channel expects, mastered once and exported properly.
How we plan it
Every production starts with what the viewer should do after watching, because that answer determines the script, the length and the cut. It also drives the most practical decision in video: planning one shoot to produce the main film and a series of short clips, so a single day on location covers months of content instead of a single asset that ages alone.
Contact us
Pricing
Most production companies show a showreel and ask you to call. Below are day rates and edit rates instead, with the number of finished versions and revision rounds written next to each package, because those are what actually separate two quotes that look identical. The figures are indicative and exist so you know the order of magnitude before we talk. The final price is set per project, against the scope we define together.
From footage you already have. Vertical cuts for social with captions, graphics and licensed music.
Four hours on location with crew and kit. Enough for one main video or a set of short-form pieces if the material is straightforward.
Eight to ten hours, multiple rooms or locations, interviews with your team. One day produces months of material.
A finished sixty-second film, all in: script, shoot, edit, grade, licensed music, and cutdowns for advertising.
An ongoing edit retainer is priced against an agreed monthly volume. Editing, motion graphics and grading are delivered remotely, anywhere. Shoot days are covered by our own crew in Serbia; outside it, either a local crew shoots to our shot list and we finish here, or we travel for projects large enough to justify it, agreed and costed before you sign. We work Central European Time, so the day overlaps fully with London, Berlin, Amsterdam and Stockholm.
A shoot day means eight to ten hours of crew time including setup and pack-down, not only the hours the camera runs. A half day is four. We write this down because it is the most common misunderstanding in video quotes: one company's day is four hours and another's is twelve.
Three things, in the order they matter:
Moving crew and equipment between locations consumes hours that never appear in the finished film. One well-planned day in one place yields more usable material than two scattered half days.
Filming your own team in your own space is one cost. Actors, studio hire, sets and licensed music are separate lines, and in our quotes they always stand separately rather than being folded into a single number.
The same footage delivered as one film, or as one film plus ten social cutdowns, is not the same edit. That is why every tier states how many versions are included.
Four answers and the quote is firm:
FAQ
For post-production, yes, entirely: editing, motion graphics, color and subtitles on footage you provide, with review links and clear versioning. On-location shooting is regional, across Serbia and neighboring markets.
Typically 2 to 4 weeks: a week for script and preparation, one or two shooting days, and the rest for editing and revisions. Post-production-only projects are usually faster.
For a website or a proposal, 60 to 120 seconds. For ads and social, 15 to 30 seconds with the message in the first three. We deliver both cuts from the same material by default.
You own the finished deliverables outright, for any use in your business. We archive the raw material and can cut new versions from it later without reshooting.
The tiers are published above on this page, in the table: a short-form edit per video, a half-day shoot, a full day, and a finished sixty-second brand film. Most production companies in this category publish no figure at all and ask you to call instead.
Eight to ten hours of crew time on site, counting setup and pack-down, not only the hours the camera runs. A half day is four. We write it down because it is the most common misunderstanding in this category: one company's day is four hours and another's is twelve, and the quotes look identical.
It is stated in every tier: two short versions with a half day, four to six with a full day, and 15, 30 and 60 second cutdowns with a brand film. The same footage is delivered horizontal, vertical and square, because each platform wants its own.
Our crew shoots on location in Serbia as standard. Outside it we travel for projects large enough to justify it, with the cost shown before you sign rather than added afterwards. There is also a lighter route that works well for social content: you or a local crew shoot to our shot list and lighting notes, and we direct and edit here. We work Central European Time, so the day overlaps fully with London, Berlin, Amsterdam and Stockholm.
Music is licensed and included in the price, and the finished video is yours to use without restriction: site, social, advertising, television. No repeat licensing fees for second use, and no expiry.